CLEON PETERSON, 'POISON'
CLEON PETERSON, POISON
AUGUST 29 - OCTOBER 15, 2015
Detroit-based contemporary art gallery, Library Street Collective, is pleased to announce POISON a solo exhibition by Los Angeles-based artist Cleon Peterson. The Cranbrook Academy of Art alumnus, globally recognized for his graphic monochromatic works depicting merciless violence, will, for the first time, bring his mayhem-filled narratives to Detroit. The show features a collection of over twenty acrylic-on-canvas pieces as well as porcelain sculptures.
“This show is about revenge, which is a current of poison running through our culture and other cultures around the world,” Peterson says. “It’s often a motivation for war and justification for punishment; it’s a social impulse that is destructive and easy to become complicit in.” While his characters have uncivilized, archaic forms, the concepts behind the artist’s portrayals are backed by Peterson’s historic and contemporary social commentary. “Everything I do is a reaction to the world we live in,” Peterson says. “I’m always thinking about what’s going on inside and outside of our country, between race, power and religion. I think there are huge problems in the world that have been going on forever and people have good reasons to be angry and seek change.”
Unbridled by the parameters surrounding the need to create safe, pleasant, even colorful art, Peterson uses his signature limited palette to convey emotion and continues to push boundaries with “black and white” imagery in both a literal and figurative sense. The natural canvas next to the deep black paint creates a lush surface and stark contrast. All of the Poison canvas works are aesthetically flat and clean yet blatantly evoke depth and disorder in a way that may be uncomfortable for those who shy away from the raw and dark realities of mankind. “I don’t let my own personal fear dictate what I express artistically,” Peterson says. “I try to move beyond that and become a conduit for real and honest thoughts.” As for the sculptures, Peterson considers them to be an extension of his paintings dimensionally, a way for his drawings to live in a space we live in.
For more information or to receive a catalog of available works, please contact firstname.lastname@example.org.
Cleon Peterson is an LA-based artist known for his fearless depictions of man at his worst. Void of subtlety or symbolism, his 2 dimensional figures are always presented mid-conflict - raping, pillaging, and murdering. Little to no context or motivation is given for the senseless acts of his characters; however, changing physiques (and accessories) over recent years give hints that reference deviations in time; previous works feature fully clothed men with guns and police officers with batons, while his newest pieces display men in loincloths swinging prehistoric spears. What unites them is the propensity towards violence, ego and self-indulgence that has been a defining characteristic of ‘civilization’ since early man. Inspired by Leon Golub, Paul McCarthy and Mike Kelley, Peterson is drawn to the subtexts considered when faced with violence, abuse of power and perversion - the psychological motivation for brutality, and the sociological forces that harbor a climate of anger and disorder. His paintings depict both debaucherous city scenes and intimate battles, contrasting mob mentality with eye-for-an-eye vengeance. “Everything I do is a reaction to the world we live in,” Peterson says. “I’m always thinking about what’s going on inside and outside of our country, between race, power and religion. I think there are huge problems in the world that have been going on forever and people have good reasons to be angry and seek change.” Peterson’s work is stylistically minimal, focusing on form, two-dimensionality and a limited palette of black, white, red and neutrals.