CLEON PETERSON, 'POISON'
CLEON PETERSON, POISON
AUGUST 29 - OCTOBER 15, 2015
August 4, 2015 (Detroit)
Detroit-based contemporary art gallery, Library Street Collective, is pleased to announce POISON a solo exhibition by Los Angeles-based artist Cleon Peterson. The Cranbrook Academy of Art alumnus, globally recognized for his graphic monochromatic works depicting merciless violence, will, for the first time, bring his mayhem-filled narratives to Detroit. The show features a collection of over twenty acrylic-on-canvas pieces as well as porcelain sculptures.
“This show is about revenge, which is a current of poison running through our culture and other cultures around the world,” Peterson says. “It’s often a motivation for war and justification for punishment; it’s a social impulse that is destructive and easy to become complicit in.” While his characters have uncivilized, archaic forms, the concepts behind the artist’s portrayals are backed by Peterson’s historic and contemporary social commentary. “Everything I do is a reaction to the world we live in,” Peterson says. “I’m always thinking about what’s going on inside and outside of our country, between race, power and religion. I think there are huge problems in the world that have been going on forever and people have good reasons to be angry and seek change.”
Unbridled by the parameters surrounding the need to create safe, pleasant, even colorful art, Peterson uses his signature limited palette to convey emotion and continues to push boundaries with “black and white” imagery in both a literal and figurative sense. The natural canvas next to the deep black paint creates a lush surface and stark contrast. All of the Poison canvas works are aesthetically flat and clean yet blatantly evoke depth and disorder in a way that may be uncomfortable for those who shy away from the raw and dark realities of mankind. “I don’t let my own personal fear dictate what I express artistically,” Peterson says. “I try to move beyond that and become a conduit for real and honest thoughts.” As for the sculptures, Peterson considers them to be an extension of his paintings dimensionally, a way for his drawings to live in a space we live in.
"Peterson’s work finds uncomfortable truths in the violence of the everyday, portraying vivid scenes typically reserved for conflict zones and gory movies." — Artsy
"Peterson says a lot with a little, rendering the isometric figures in a simple black and white." — High Fructose
"The modern world is in a bloody mess, and Cleon Peterson isn’t afraid to rip off the bandages and expose the seeping wounds beneath." — We Heart
"The work is less of an exercise in aesthetic and more an act of confrontation, an intervention in expectation. For Peterson, it seems, the barbarity, the depravity are where the creative oxygen is." — Mass Appeal
"Cleon Peterson's 'Poison' Examines The Act Of Revenge." — High Snobiety
POISON is on view at Library Street Collective (1260 Library Street, Detroit) through October 15th, 2015. Contact email@example.com for an exhibition catalog and click here for additional information on the limited-edition sculptures.
Cleon Peterson is an LA based artist whose chaotic and violent paintings show clashing figures symbolizing a struggle between power and submission in the fluctuating architecture of contemporary society. Cleon’s paintings are monochromatic while channeling at the same time the fashion sensibility of the early 80′s, complete with skinny ties and day glow colors. Cleon received his MFA from the Cranbrook Academy of Art in Detroit, MI and a BFA in Graphic Design at Art Center College of Design in Pasadena. Past exhibitions include: “Trailblazers”, Boutwell Draper Gallery, Sydney, Australia, “Park Life”, Subliminal Projects, Los Angeles, Art Basel 2007 and “Mail Order Monsters” at Deitch Projects New York, NY, “Those Damn Yanks”, ‘The Occupation’ at New Image Art Gallery, L.A., The Leonard Street Gallery, London, UK, Monster Gallery, Sydney. He has been featured in LA Record Magazine, Juxtapoz, and Eyes Cream (Japan), Arkitip Issue No. 0005. And has been collected by international collectors, musicians and world art leaders such as Jeffrey Deitch.